BUZZ TEARS INTO THE GOSPEL INDUSTRY
Sunday, 16 May 2010
Buzz Magazine
NAIROBI - The Buzz Magazine of the Sunday Nation Newspaper published a critic of the current state of the urban gospel industry in its publication on Sunday May 16th 2010. The lengthy article highlighted the rift most gospel artists have with 'the outside world', and the church. Worth noting is that after the hugely popular Groove Awards where the organizers spent Kshs 22 Million (with some coming from sponsorship), attacks on gospel artists from the mainstream have elevated to an uncomfortable level. With the immense popularity of Gospel music in the country, Gospel artists have taken over tufts traditionally held by other mainstream artists from corporate endorsements and functions to clubs. Some conservative churches are also not ready to endorse gospel artists into these new territories even as others back the artists. It will be interesting to see how this plays out now that gospel artists have been placed under greater scrutiny. Below is the article from Buzz Magazine.

Are gospel musicians serving God or the market?
By George Madiangi
Several years ago, top gospel artiste then DNG (now backslidden) was in the news for all the wrong reasons. His photos were splashed in the press, showing him drunk, wasted and with women.

The gospel world woke up to shock as one of their highly regarded artistes had been ‘Kanyaguad’ by the devil. DNG had no choice but to own up to sin and fully bounce back to the world of ‘darkness’. He opted out of salvation and till today lives a worldly life.

That was just one case. Then came Neema Ntalel, who also left many of her adoring fans in shock after she fell pregnant despite being a born again Christian.

This trend could soon follow some of the well known names in the faith-based music industry.

Already there are unconfirmed reports doing rounds about a popular gospel artiste having an intimate affair with a mystery woman. According to the sources that sought anonymity, the singer spends his nights with the woman.

“He’s having an affair with this particular lady. And we know he claims his saved,” added the source. The source further said that the singer, who also won several awards in the CHAT Awards and Groove Awards, also frequents night clubs to party.

There’s a revolution, or a rebellion, in the gospel world, depending on how one looks at it.

Things are not rosy, as many musicians owned up to fighting battles that they never revealed. “It’s a tough world. If only people knew what battles we’re fight, they wouldn’t query a thing,” said musician Juliani. Battles or no battles, they’re supposed to be overcomers.

Gospel musicians clubbing and performing in night clubs has raised many eyebrows on their faith and commitment to God.

The trend has now taken centre stage as artistes who once performed at exclusively organised gospel concerts (read crusades, conventions and church) are a big threat to mainstream secular acts as they invade night clubs and many secular gatherings to entertain.

Gospel acts like Ringtone, Ekko Dydda, Bantu, Juliani and M.O.G are some of the musicians who would not turn down a club gig, and feel nothing about it.

They all claim they are reaching out to unbelievers. M.O.G, Ekko Dydda and Juliani were among opening acts at the Easter Beach Party at Mombasa Beach Hotel last month while Ringtone has been to several clubs entertaining.

Tony of M.O.G agrees that night clubs and other hang out joints are platforms for the ministry that should be explored.

“There’s nothing wrong with that. It’s the best platform for the ministry. Only artistes can go these places by reason of their music enjoying airplay, but not pastors,” he notes.

Bantu concurs with M.O.G and adds that time has come when the gospel should not be restricted.

“Jesus did not come for the righteous but for the sinners. Most believers already know of Jesus Christ but there’s a clique of people who still don’t know about the messiah and these are our targets,” he says.

Coast-based gospel act Gabriel Mwamuye disagrees with his peers. He believes nightclubs and other areas are no-go zones for gospel singers.

“Where you’re spiritually matters to God and it’s very wrong that a gospel artiste can even stage a concert in a night club. That’s ashaming the body of Christ,” he says.

Youthful Glorious Temple pastor Mwarandu Abednego concurs with him and further argues that they (gospel musicians) do not minister but entertain the showgoers.

“If its ministry, how many people have they led to Christ in those particular night clubs? Why haven’t we ever had them go prisons to do that ‘God’s Work?’ I think what takes them there is the money because they don’t do it for free,” he says.

Bantu, who performed at Tembo Disco during the Nzumari Awards cannot recall the number of souls won for Christ as a result of this ministry.

“Everyone has his own principles of salvation. The ministry I’m called to do also matters. There are many people out there who don’t know about God at all,” he adds.

But M.O.G is defensive. He claims their main duty is to prepare the lost sheep.

“We only let them know the truth and it’s upon them to make the decision. You can never force salvation on them,” says Tony.

Even the secular gigs like Pilsner Mfalme DJ competitions, where gospel deejays have performed well, have also raised many eyebrows. The contest is sponsored by brewer EABL and has been viewed as unfit for born-again entertainers.

DJ Krowbar won it last year and this year gospel DJ Mo came up as runner-up. Their involvement is still viewed in bad light.

“Gospel decks men should not even participate in such competitions. They’re a marketing forums for alcohol, a strong drink that God prohibits us from using. That aside, it’s easy to fall when tempted,” says Pastor Mwarandu.

If you ever thought that peace prevailed between the musicians and pastors, think again. True to the biblical saying, money is the root cause of all evil.
In some churches, it is slowly wrecking the once smooth relationship that prevailed in the church.

There’s a silent spiritual war going on outside the altar of God. And money seems to be the main cause.

There are bridges that have been built as a result of this. In fact there are churches which have even banned certain musicians from their geographical dwelling and activities.
 

Gospel acts are no longer common faces in crusades and are slowly making disappearing acts in church activities.

“They don’t want to pay us yet they want us to perform for free. Production is costly. Just doing a good song and video doesn’t come cheap. It costs a fortune and they (pastors) can’t pay for our recording,” says Bantu.

And M.O.G rubbishes claims that they have commercialised the ministry.

“Why can’t people understand that we’re taking the gospel industry to another level? That’s why there are certain things that are happening now that never used to,” Tony says.

But Pastor Mwarandu adds that most of the gospel musicians are doing business in the name of the ministry, just like some false preachers do.

“They ask for crazy payments, which you have to give them before they attend your invitation. They claim that they didn’t record the songs for free. If God provided for the recording... why keep on charging for ministry? What about those who can’t afford the ‘money?” he asks.

But there are also sections of gospel artistes who are doing well and have sound relationships with their pastors. Ekko Dydda, Marion Shako, Gabriel and Jimmy Gait all seem to enjoy some favour with the men of God.

In fact Marion Shako’s frequent foreign trips have all been courtesy of J.C.C Pastor Wilfred Lai. Gabriel’s South African tour, in which he ended up in studio with South Africa’s gospel great Rebecca Malope, was also another sponsorship by Pastor Lai.

There’s word doing rounds that some gospel artistes have commercialised the industry. Gabriel seems to agree with this and is quick to point a finger to the new crop of acts.

“The new big names in the industry have commercialised the industry. It’s such an unfortunate move,” he told BUZZ.

Bantu is defensive saying they have not commercialised the gospel.

“We don’t do it for money. The Lord requires us to feed from our talent. If there’s no pay, how would we record another song?

"The talent is to bring food to the table. The money and ministry go together. If people go to church and no one gives offering and tithes, the church will shut down,” adds Bantu.

The issue of worship is another major bone of contention. Some gospel born-again musicians are crossing to the secular world to do collaborations, a thing that many believers find not in line with their faith.

Singer Gabriel Mwamuye is on a mission and seems he’s not moved about what people will say. The singer was in the news this year when he did collaboration with Muslim songbird Nyota Ndogo.
 

The song ‘Mwachie Mungu’ gave him mileage but musically took him nowhere. Gospel FM stations refused to touch the song after he claimed that Muslims and Christians serve the same God.

His move was met with hard stance from a section of pastors in his Bamburi church, who almost threw him out, while Nyota Ndogo faced the wrath of the sheikhs after what Gabriel termed as an attempt to get her see the light.

That is not all, he has done another yet-to-be-released single titled ‘Amebarikiwa’ in which he has featured another Muslim singer Susumila.

Apostle Mwarandu has a different view on worship. He says Islam and Christianity are two different religions.

“We don’t serve the same God as the Muslims,” he says.

And as the wars continue, the numbers of souls that wait to see the light still hang in balance.

Blame it on the devil.

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